College is not an obvious setting for a Pixar movie. For all the vaunted animation studio's reputation for producing mature, adult children's films, college lends itself to a more immature brand of adult humor -- the kind with lots of nudity, profanity, and outrageous drunken antics. Sure enough, Pixar's 'Monsters University' brings new meaning to the phrase "safe school" -- this G-rated riff on 'Revenge of the Nerds' and 'Animal House' (they probably thought about calling it 'Monster House' at some point, right? They had to) doesn't push any envelopes in terms of content or humor. It's basically a formula college comedy, minus the raunch, in the world of 'Monsters Inc.' Nevertheless, it's a formula executed by some very talented animators, who've produced a lively, if mostly forgettable, movie.
The term "product placement" feels insufficient to describe the role of Google in 'The Internship.' This is not so much product placement in a movie as movie placement in a product. For two hours, viewers are treated to a series of bright, high-energy sales pitches for the San Francisco search engine and its vast array of products and services -- Google Play, Google Drive, Google Helpline, Google Maps and, of course, plain-old Googley Google -- plus, occasional attempts at comedy from Vince Vaughn and Owen Wilson while they stand in front of giant Google logos. Shameless? Absolutely. But that wouldn't be such a problem if 'The Internship' wasn't so mirthless, as well.
From the earliest days of his appearances in Marvel Comics' 'Tales of Suspense,' Tony Stark has always been modeled after aviator/inventor/industrialist Howard Hughes. With 'Iron Man 3,' Stark assumes a new dimension of Hughes' persona: that of the paranoid shut-in who, in his later years, became notorious for roaming his private floor of the Desert Inn Hotel in Las Vegas, freaking out about invisible germs and collecting jars of his own urine. 'Iron Man 3's' Tony Stark, played once again by the inimitable Robert Downey Jr.isn't quite that bad, but he's getting there.
After the events chronicled in 'The Avengers,' where Manhattan was nearly leveled by invading aliens and Tony himself was almost killed, he's become obsessed with upgrading his armor -- leaping all the way from the Mark VII to the Mark 42 in a matter of months. When anyone mentions New York or aliens, Tony gets panic attacks. There's a reason Daredevil, not Iron Man, is the Marvel hero known as "The Man Without Fear." Poor Tony is terrified.
"I don't want to be a good man; I want to be a great one." So says Oscar, a humble (read: crummy) magician in a traveling circus circa 1905, just before a magical tornado sweeps him and his hot air balloon away to a land that just so happens to share his nickname: Oz. In 'Oz the Great and Powerful,' Oscar (James Franco) finds exactly what his heart desires; the chance to be a great man, wealthy and powerful, the ruler of a beautiful kingdom. And the kingdom does look damn good, and most of Oz's adventures in it are pretty entertaining as well.
The third row of an IMAX screen is a sufficiently disadvantageous perspective to give you a taste of the way the hero of 'Jack the Giant Slayer' sees the world. From that angle, even regular-sized humans loom ominously overhead; you can imagine how big the giants look. But that's about as impressive as the surprisingly crummy 'Jack' gets.
In his recent autobiography, Arnold Schwarzenegger describes his part in 'The Last Stand' as "a great, great role." He plays Ray Owens, a former LAPD cop who retired to his hometown in Arizona after his partner got crippled in a botched drug raid. Now the local sheriff, he and a few bumbling deputies are all that stands between the Mexican border and a ruthless drug kingpin. "The sheriff knows if he succeeds," Schwarzenegger writes, "it will mean everything to the town. His reputation is on the line. Is he really over the hill or can he do it?"
Dirty Harry would love 'Gangster Squad,' a movie about cops who operate so far outside the law they make Clint Eastwood's signature detective look like a pencil-pushing dweeb. Assembled by LAPD police chief Bill Parker (Nick Nolte), and supposedly inspired by a true story, the members of the so-called Gangster Squad operate as judge, jury, and executioners. They don't arrest their targets; they "wage war" against their enemy, mob boss Mickey Cohen (Sean Penn). In their quest to bust up Cohen's rackets, the Gangster Squad brandishes about a billion guns and not a single badge. Hell, even Dirty Harry waited until the end of his movie to toss his away.
The transition from ‘The 40-Year-Old Virgin’ to ‘This is 40’ has been an interesting one for Judd Apatow. After doing some really personal work on television’s ‘Freaks and Geeks’ -- and getting almost immediately cancelled when no one watched it -- he became a major name in cinematic comedy with the big, broad ‘Virgin,’ a film about a man trying to end decades of sexual starvation. He followed that up with ‘Knocked Up,’ about a young stoner who learns the perils of impregnating Katherine Heigl -- whose sister was played by Leslie Mann, Apatow’s real-life wife, and whose nieces were played by Maude and Iris Apatow, Apatow and Mann’s real-life daughters. While most of the movie was about Seth Rogen and Heigl’s wacky babywaiting shenanigans, there was that small percentage of observational family life comedy with Mann, the junior Apatows, and Paul Rudd, ostensibly playing Judd. It was some of the best stuff in the film, and it pointed the way forward.
The opening credits of 'The Twilight Saga: Breaking Dawn - Part 2' alternate between red and white images; seeping blood, spreading ice crystals. The symbolism couldn't be clearer: bundle up, Twihards, it's going to be a long cold lonely winter. Here comes the sun, dawn is breaking, and with it the end of your beloved franchise. After this, no more sexy vampires and hunky werewolves. It's all over -- and now that it is all over, let's give 'Twilight' its due: as one of the absolute bats--- craziest blockbusters in Hollywood history.
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